Putnam Place Venue Specs
Video Wall Specs
Absen LED Panels:
Size: 16.4 ft X 7 ft
Pitch: 2.9mm
Brightness: 1,000 nits
Audio Specs – FOH
Behringer X32
Specifications:
- Processing:
- Processing channels: 32 input channels, 8 aux channels, 16 buses, 6 matrices, main LRC
- Internal effects engines: true-stereo / mono 8 / 16
- Internal total recall scenes (incl. preamp and fader): 100
- Signal processing: 40-bit floating point
- A/D-D/A conversion 24-bit @ 44.1 / 48 kHz, (Cirrus Logic A/D CS5368,D/A CS4385): 114 dB dynamic range
- Local I/O latency: 0.8 ms
- Networked I/O latency: 1.1 ms
- Connectors:
- XLR inputs, programmable: 16 mic preamps, designed by MIDAS
- Talkback mic input: XLR 1
- RCA inputs/outputs: 2/2
- XLR outputs: 8
- Monitoring outputs: 1/4″-XLR” TRS balanced 2/2
- Aux inputs/outputs: 1/4 ” TRS balanced 6/6
- Phones outputs: 1/4″ TRS 2 stereo
- Digital AES/EBU output: XLR 1
- AES50 ports: Supermac 2
- Expansion card (optional): 32 channel audio input/output, various standards
- P-16 connector: Ultranet (no power supplied): 1
- MIDI inputs/outputs: 1/1
- Ethernet: RJ45, rear panel, for remote control: 1
- USB Type A, top panel (for audio and data export/import): 1
- USB Type B, rear panel (for system updates): 1
S32 Snake
We also have a Analog Console:
-Soundcraft K3 32channel console
-8 Auxes
-4 band sweepable P.EQ
-8 Groups
-4 Matrix
Behringer Ultra-Curve Pro
-Programmable G.EQ / P.EQ used for Mains
-Compression/Limiting
-Built in RTA, can use feed off board or supplied mic
Lexicon MPX-500 Reverb/Effects
Yamaha SPX-990 Reverb/Effects
dBx 231 31 band G.EQ -inserted on monitor mix 1-2
dBx 231 31 band G.EQ -inserted on monitor mix 3-4
dBx 131 31 band G.EQ -inserted on monitor mix 5
dBx 166 Gate/Compressor -insertable based on need
dBx 166 Gate/Compressor -insertable based on need
dBx 166 Gate/Compressor -insertable based on need
dBx 166xl Gate/Compressor -insertable based on need
Presonus ACP88 8xGate/Compressor
Monitor System:
6 x Yamaha CM115 Passive monitors
1 Drum Fill Powered Yamaha Sub
MIX 1-6:
3 x QSC PLX3002 Amplifiers
-Each mix is driven off a single channel on each amplifier
Microphones and DI Boxes:
2 Whirlwind Director DI
1 Audix f15
3 Sennheiser e604
5 Shure PG56
2 Sennheiser e609
2 Shure SM57
4 Shure SM58
2 Behringer C-2 Overhead Mics
– 10 stands (4 low, 6 high) all with booms
Lighting Inventory
Video Wall – LED Light Wall mounted behind stage 17 x 7 ft, 40-panel Absen M2.9
Front Truss wash – 12 ADJ COB Cannon RGBA
Rear Truss – 8 Movers ADJ Focus Spot 3Z
2 – 4” 100 watt LED Blinders
3 – COB Cannon White Spot Lights (Left, Right, Center)
Hazer – ADJ Haze Generator
Control – ADJ NE 1 Console
Stage Size – 16×24 with 8×10 wings on each side